Nuar Alsadir is a poet, writer, and psychoanalyst. She is the author of the poetry collections Fourth Person Singular (2017), a finalist for the 2017 National Book Critics Circle Award for Poetry and shortlisted for the 2017 Forward Prize for Best Collection in England and Ireland; and More Shadow Than Bird (Salt Publishing, 2012). Her poems and essays have appeared in numerous publications, including Granta, The New York Times Magazine, BOMB, Slate, Grand Street, The Kenyon Review, Ploughshares, Poetry London, and the Poetry Review. Alsadir is a fellow at The New York Institute for the Humanities, on the faculty at New York University, and she works as a psychotherapist and psychoanalyst in private practice in New York.
Originally published in The Honest Ulsterman
Read MoreZeina Hashem Beck is a Lebanese poet who won the 2016 May Sarton New Hampshire Poetry Prize for her second collection, Louder than Hearts, about which Naomi Shihab Nye wrote, ‘Everything Arabic we treasure comes alive in these poems’. Zeina is also the author of two 2016 chapbooks: 3arabi Song, which was selected as winner of the 2016 Rattle Chapbook Prize, and There Was and How Much There Was, chosen by Carol Ann Duffy. Zeina's first book, To Live in Autumn, focusing on Beirut, won the 2013 Backwaters Prize and was a runner-up for the 2014 Julie Suk Award.
Originally published in The Honest Ulsterman
Read MoreThe busy launch was featured work read by poets included in the journal. It was wonderful to hear John Foggin, Julie Hogg, and Will Daunt
Read MoreThe launch event will involve readings, music, refreshments, and short talks. The limited edition handmade stitched journals will be for sale on the night
https://openeye.org.uk/whatson/journal-launch/
Read MoreWe wanted to create a journal which was different to other poetry journals and magazines we admire and have subscribed to, and also wanted the journal to be a small piece of art in itself.
Coast to Coast to Coast will be launched at Open Eye Gallery, Liverpool on Thursday August 17th where contributors to the journal, including Katharine Towers, John Foggin, Julie Hogg, and Will Daunt will read from their work.
Read MoreCoast to Coast to Coast, a hand stitched poetry journal with fabric cover will launch in Liverpool. The journal, which aims to be as much a piece of art as a poetry journal without the art or poetry being compromised came out of ideas I’d been working on with Michael during the time we were writing, reading and running some workshops in galleries on Merseyside.
Read MoreOn July 11th, it was my pleasure, at the invitation of Pauline Rowe, to read with Sean Hewitt to an attentive and interesting audience at Open Eye Gallery. Music was provided by Julia.
Read MoreReading at Open Eye Gallery alongside Seán Hewitt – part of a series of poetry and music events organised by the gallery and Pauline Rowe, in partnership with the University of Liverpool’s Centre for New and International Writing.
Join the Writing & Photography II Facebook event
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Di Slaney’s second publication, and first full collection, Reward for Winter, tells the story of her move from an urban existence to life as custodian of an ancient farmhouse in Nottinghamshire. I can recommend the moving book for its precise poetry insight into life on the farm and what comes across as great eye for the details of history. I wanted to interview Di to find out a little more about her writing and her unconventional and demanding lifestyle, which includes being owner of Candlestick Press.
Originally published in The Honest Ulsterman
Read MoreKatharine Towers’ first poetry collection 'The Floating Man' was published by Picador in 2010, won the Seamus Heaney Centre Poetry Prize, was shortlisted for the Jerwood-Aldeburgh First Collection Prize and for the Ted Hughes Award for New Work in Poetry and longlisted for The Guardian First Book Award. A poem from the collection was selected as a Poem on the Underground.
Originally published in The Honest Ulsterman
Her second collection, The Remedies is also published by Picador and was shortlisted for the 2016 TS Eliot Prize. Katharine's poems have appeared in The Guardian, Poetry Review, Poetry London, The North and in several anthologies including the Forward Book of Poetry 2017. She is currently Poet in Residence at the Cloud Appreciation Society.
Katharine was born in London and read Modern Languages at St. Hilda's College, Oxford. In 2007 she completed an MA in Creative Writing at Newcastle University.
Read MoreMaria Taylor, a poet living in Leicestershire, edits reviews for Under the Radar, and teaches Creative Writing at De Montfort University. Her latest publication is Instructions for Making Me, (HappenStance, 2016). Her first collection, Melanchrini, (Nine Arches Press, 2012), was shortlisted for the Michael Murphy Memorial Prize.
Originally published in The Honest Ulsterman
Read MoreHere I am reading The Ferry on the Mersey, my poem commissioned by the BBC for National Poetry day. Listen here.
About the initiative: "From Season of mists to golden daffodils; Robbie Burns to Roger McGough and songs to limericks. Each year on National Poetry Day we celebrate all things in verse whether they rhyme or not. This year, as part of a nationwide campaign, we've teamed up with local poets around the country to celebrate where we live in verse."
Read More'Life Stills on the Liver Ward' – Shortlisted, Bridport Prize Competition
(Patience Agbabi)
Read More‘Neurological Episode’ – Shortlisted, Plough International Poetry Prize 2017
(Michael Symmons Roberts)
Read MoreFirst Published in Orbis 169
he Hidden Word of Poetry by Adam Wyeth.
147pp, Salmon Poetry, Cliffs of Moher, County Clare, Ireland
Adam Wyeth’s book, The Hidden World of Poetry, comprising sixteen accessible but detailed essays, aims to showcase Ireland’s leading contemporary poetry, serve as a primer to analyse poems in depth, and to explore Celtic mythology’s exciting and popular heroes, gods and folktales.
Read More'Dual' – Third, Elbow Room Competition
Read MoreThe compact, succinct, vivid poems give the arresting sense of being incarcerated alongside the narrator. Despite the emotions aroused, through the writer’s eyes I became objective and rational, and found myself observing, gathering evidence and facts in an attempt to become normal, and so be released.
Read More‘St. John’s Garden, Lime Street’ – Shortlisted, Keats-Shelley Poetry Prize 2017
(Matthew Sweeney)
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